A Born Prankster, He will mess around with anyone just for fun, and to top it off he is just a brilliant as his Father Nojima, but also has his father’s clumsy streaks as well. He is often cheerful almost to the point of never being mad. When he is mad though he doesn’t show it, he only has a little hostile sting to his voice, still cheery though.History:
Born from the great ninja Nojima Amarao, the son of the Naota Amarao the founder of Melee Puppetry. Yamato trained with his father ever sense he was old enough to use his first puppet which was only a silly toy at the time. As he got older he trained more getting better and better at puppetry just like his father.
The week he turned 8 on the smaller side of most kids his age. He began to train even harder now that he was enrolled in the academy at the Sand village he still train. One day during a training using exploding notes a horrible accident happened and he lost his left arm in result of the accidental explosion. His Father took him to the blacksmith that made all of the puppets he has ever created, along with hiring the medical Nin’s from the Sand Village. They were able to attach a faux limb but it would never be the same for Yamato, infact it would never be the same for the better.
He asked the blacksmith to make certain modifications to the arm over the years of getting used to it such as a pair of scissor blades that can remain hidden in the fore arm, along with a metal wire reel in the bottom of the wrist this would make the arm slightly larger than the other but he usually wrapped it in belts so it wouldn’t be to much of a shock for normal people, there was one other distinct modification that was done to the arm. The Blacksmith was close friends with Yamato’s father the smith had no problem helping the lad.
Nojima brought him into a special room he had never even seen before, the room was dark and filled with large almost coffin like things with different writings on them, he say Kumo-Hito, Deku, Hando, Naota(This was a Tribute to Nojima's Father)
…He didn’t know what all of these meant but his father soon filled him in. He opened the first case the Deku revealing the 10 foot creature standing in front of him, at first glance it almost looked as though his father had been keeping demons inside these coffins. But on the contraire, after showing him the rest he told Yamato. “Son these are my puppets I’ve brought you down here to show you them and let you know the tradition of our family. Our family takes great pride in the puppets we create, each on takes months of jotting down notes and well thought out weapons and jutsu, I show you these to give you inspiration and tell you that it has become time that you began to create the puppets you will use for our family fighting styles.” Yamato’s eye grew with glee, he had been waiting for this day knowing it would come.
He had actually worked on ideas already, he had three in mind; The Kawazu(Frog) which would be his all around puppet, Kumo-Hito his super agile puppet which he actually took from his father...or should we say it was a gift to his only son, And the Subako (Hive) which would be his power hitter. He had the blue prints ready in a few days miraculously, and they were finished by on his 10th birthday he also graduated in a few weeks of this day’s aswell. He then spent the next 3 years training as a genin and getting used to these puppets and creating ways to use and fight with them.
((hmm hope all this makes sense....if i cant have that arm i will have to fix it...poo...i think i should be able to have it....pweese....haha))Other:
-The Sand village symbol is on a metal half sphere on his chest
-A belt holding the 3 scrolls for the puppets.
-Yamato is short. He hates being called half-pint, midget, small fry or anything else insulting and he’ll pop you one if you do...
-Just to clarify these are the prosthetic arms abilities, or weapons; a pair of scissor like blades (2 foot blade span) hidden in the forearm, and a reel of metal wire with a hook on the end in the base of his hand....bottom of the wrist...hmmm yep yep(how much would I have pay for this?)Puppet names:Large: Subako (Hive)
-This puppet is quite large about 8 feet in height; it is heavily armored but rather slow. It almost looks like a turtle that stands of its hind legs all hunched over, with 10 little puppets on its back that reassemble this..
-These little puppets can detach(Still attached on by metal wire)
and chase after the enemy with lighting speed in attempts to catch the opponent and bring them into striking range of the Subako, this is why the puppet Is dubbed the Subako because it houses these smaller puppets and is connected by chains once the target is caught they snap back and the Subaku reel’s the poor victim back into its grasp so it can unleash a devastating punch to its preyMiddle: Kawazu (Frog)
-This puppet is about the 1/3 larger than Yamato, it reassembles a frog as far as the features and limbs. But the hands and feet can retrack the webbing between the toes and fingers when the user needs to swin or not. so they wont hinder movement when on land. Its limbs have been modified so they can just about hold onto any frictionless surface making is easier to stand sideways our upside down using chakra. Concealed within the mouth are three things a large metal tongue which is about twice its body length so 12 feet long and can extend to its full length in an instant, also concealed in this mouth is an oil tank with can be used for Oiru Amagoi no Jutsu To ignite the flames this puppet is has tiny lighters in its hand nothing like a flame thower but just to light the oil, could possibly make a flame thrower if the hands were brought to the mouth and oil was spit but its not used like that very often but it is possible. Light: Kumo-Hito (Spider Human)
-This puppet strongly reasembles a spider thats slighting elongated, Torso, abdomine, etc.... Its head has three large tusk like horns two extending out from its chin and one extending back from the tip of its head. It has three sets of limbs each set with its own properties. The Top set is a punching set which had 3 consealed claws that pop out of the rounded hand when needed. The Second set is normal hands able to do anything a normal set of hands could do. And the Last set is a pair of Grappling hands that reseamble a pair of chameleon hands but are metal instead of ....fleash. Inside of the lower abdomine are two things a 100 ft. reel of metal wire and a poison gas container, both can be used at any time.
-Think this but with a larger left arm covered in belts so it wont show that its fake.
-This is the Rival Sky Gunner just to give credit.
A-Rank:0Jutsu Tree:Mist Village Academy Justu:
Puppet Master Jutsu Tree:Kugutsu no Jutsu (lvl 1)
- Bunshin no Jutsu (Clone Technique)
Description: This technique must be mastered by any ninja who has graduated from the Academy at the Hidden Leaf Village. It's the most basic technique a Genin must know, since it can be a real lifesaver. This ninjutsu creates an illusional clone of the user.
- Henge no Jutsu (Transformation Technique)
Description: Henge no Jutsu is the basic skill a ninja must know to become a Genin. It is a very useful and widely used skill in the series, as it has many uses. It's mostly used as a decoy, to confuse the opponent by transforming into somebody that's an ally with the enemy.
- Genjutsu Kai (Genjutsu Release)
Description: A Ninjutsu technique where the ninja focuses their chakra and screams "kai" or "release." They can perform it on themselves or on others. It will effectively ward off most Genjutsu, unless extremely powerful or when used in conjunction with an advanced bloodline.
- Suna Bushin no Jutsu (Sand Clone Technique)
Description: An ability which creates a clone composed of sand. The clone is capable of attacking, as well as regenerating any damage received. They cannot move from the spot they are created however, and holding them together takes a bit of chakra.
- Kinobori/Kabenobori no Jutsu (Tree/Wall Walking Technique)
Description: By focusing a proper amount of chakra into the feet, the user is able to walk on walls and trees.
- Suna Shunshin no Jutsu
Description: A technique which allows the user to transport from one place to another in a veil of sand. (Not to be used in Battle)
The most basic level of Kugutsu no jutsu, the user is able to control a single puppet through the use of chakra strings. These strings are invisible to all but those with a doujutsu that allows them to see chakra (i.e. byakugan) and those creatures who consume chakra (kikai bugs.) Controlling the puppet requires both hands and the puppet's movements.Puppet Senses: (lvl 1)
Description: Without this series of techniques, a Puppeteer is limited to actually watching his puppet in battle. At this stage of Puppetry, however, the limit on distance almost guarantees that a Puppeteer will be watching the battle. Puppet Senses allows the Puppeteer to speak through his puppet.Kugutsu Rendan - Puppetry Combo
Description: After the opponent is knocked into a vunerable mid-air position, the user shadows them and kicks them back towards the ground, using another punch to increase velocity downwards, only to have a puppet on the ground uppercut the user back into the air for another attack.2 Puppet Weapon Jutsu: -Oiru Amagoi no Jutsu- Oil Raining Technique (Kawazu puppet)
-This technique is very similar to Amagoi no Jutsu but with the slight change that instead of water falling from the clouds oil rains down upon the enemy. Even the smallest spark could ignite the dosed area.Dosu Senpuu no jutsu- Poison Whirlwind Technique (Kumo-Hito puppet)
-Using a puppet with a gas chamber, the Nin makes 3 Bunshin's (or the strongest Clone tech they have) the nin and his bunshins surrond the target(s) then release a large amount of poison gas into the surrounding area, then after performing a few handseals a strong whirlwind beings to circle the targets sucking the all the gas into the eye of the whirlwind where the target(s) are forcing them to do two things. First being stunned depending on their rank by the winds, and Second being force to say in an area filled with poison gas.